![]() Birds of Prey, in fact, has a parallel plot structure: a group of established women take in an unskilled newbie who integrates into the group, in this case Cassandra Cain. Their friendships, or rather partnerships, were complex and well developed, especially in comparison to the flimsy relationships that last year’s Charlie’s Angels threw together. The plot ignited (wink wink) by Harley’s breakup with the Joker succeeds as a feminist text because of the engaging way it built relationships among the various leading women. This rejection of the heteronormativity typically seen in hero plots is a refreshing splash of inclusivity. ![]() However, the animated series seems promising in its up-and-coming representation, as there will be a plot line of romance between Harley and Poison Ivy in the future. This male involvement, although fitting with Harley’s DC universe, takes away from the story of Harley’s “emancipation” from the influence of men in her self-worth. Unlike the film, this cartoon series involves a lot more interaction with men in general the Joker is her competition in the villain realm, while at one point Batman ends up saving both Harley and her partner in crime Poison Ivy. Similar themes can be found in the recent Harley-centric animated show Harley Quinn, which also details her life experience after a breakup with the Joker. On the other hand, Harley Quinn’s story was motivated by a man’s lack of presence yet remained focused on her autonomy throughout the film, rather than make her journey about finding someone new to replace him. Films like Wonder Woman (2017) were surely a step in the right direction of representing women in action roles, but still made men integral to their heroine’s success or the narrative in general. The only man who aids Harley is her landlord Doc, who ends up selling out her address in a betrayal without malicious intent. Throughout the film, male characters played an almost completely nominal role in Harley’s story. Her character surely does not depend on her desirability, and this film did a great job displaying that.Īnother huge point in the film’s character department that sets it apart even from other female centered superhero movies was Birds of Prey’s lack of men. However, one of Harley Quinn’s signature looks is a full-length body suit, which covers her completely and isn’t really “sexy” at all. ![]() This choice of mise-en-scene elicited a whiny reaction from men across the internet, who complained about Harley’s lack of provocative attire and that her characterization in Birds of Prey didn’t accurately reflect Harley from the comics. Her style suited this personality perfectly, with some pieces highlighting her sexual side, but mostly just being fun and colorful. Specifically, Harley’s costume and makeup did a great job of characterizing her as bad-ass and unique, without revolving her characteristics around sex. She also acknowledges the abusive nature of her and the Joker’s relationship which is a greatly appreciated aspect of the dialogue, considering the couples’ romanticization in Suicide Squad. She is no longer depicted as a manic-pixie dream type of villainess instead, she expresses a range of emotions and attributes that define her character as multi-dimensional and multi-faceted. Harley Quinn, despite her past representation as hyper-sexualized, is humanized in a way one might not expect. The characters are truly what made this film strong in its pro-women message. ![]()
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